Real Boy

real boy

Just saw Real Boy this week at the BFI Flare London LGBT Film Festival. It’s a beautiful documentary about the story of Bennett Wallace, a transgender teenager in California and his transitional journey through childhood and young adulthood, working to gain the love and support of his mother and to become a musician. The film explores issues on mental health experienced by Bennett and problems with substance misuse by another transgender friend.

Real Boy will be released soon and the trailer can be accessed here. People interested to bring it to their community center, college, conference, or film club, can email director Shaleece Haas at shaleece@realboymovie.com.

Architecture, nature and wellbeing

nature-architecture

The close relationship between neurons, beauty, arts, and wellbeing. How our mirror neurons observe other people’s behavior and perceive environment? The concept of therapeutic architecture and how a hospital can be therapeutic just by architecture and environment…

Interesting article by Maria Giulia Marini, an Italian epidemiologist and counselor at the Centre of Medical Humanities website.

 

Who cares for the caregiver?

Interesting film about the morality of the care industry. Tim Roth plays a nurse battling with the weight of his patients’ terminal illnesses and become obsessed about their lives, while being disconnected of his own past and wounds. Directed by Mexican film maker Michel Franco, Chronic (2015) shows a superb and enigmatic performance by Tim Roth.

 

 

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THE MAGIC BULLET

The German Jewish physician and scientist Paul Ehrlich (1854-1915) was the precursor of staining techniques for tissues, worked on the development of a anti-serum to combat diphtheria and his laboratory was responsible for the first treatment available for syphilis, arsphenamine. He was the first to coin the term “chemotherapy”, and received the Nobel Prize in Medicine in 1908 for his contributions to immunology.

Dr Ehrlich searched for a chemical that could not only  stain but also attach itself to  a germ and kill it, without causing harm to the patient’s body. He called them “magic bullets”, these chemicals injected in the body to fight diseases. After 606 tries, he finds a magic bullet to combat syphilis, arsphenamine (commercialized as Salvarsan) and calls this substance 606. However this discovery seems to be short-lived as 38 patients die of arsenic poisoning contained in the substance. Later his laboratory developed a more soluble and diluted formula, with less severe side effects. The arsenic compounds were  substituted by penicillin for the treatment of syphilis in the 1940s.

Ehrlich’s history is narrated along “Dr Ehrlich’s magic bullet”, a 1940 autobiographical film directed by William Dieterle. His discovery of staining techniques and the development of the serum to combat diphtheria, working with his colleague Emil von Behring, are remarkable – and indeed saves the lives of many children during the epidemics of the disease. Later, while working with good results with Sahachiro Hata on 606 for syphilis, Ehrlich (Edward G. Robinson) is forced by medical practitioners to release the drug for commercial use. He hesitates from a scientific point of view, but concedes in light of  the urgency of treatment. The drug is produced in large scale in Europe, and Ehrlich ends  up being judged by 38 deaths caused by 606. He is defended in court by his colleague Emil von Behring, who claims that despite these deaths, 606 was a success in many cases against a disease that was considered incurable until then.

Near his death, the world is on the verge of a war, and Ehrlich gives a speech to his trainees and collaborators in his bed:

“606 works, we know. The magic bullet will cure thousands. The principle upon which it works will serve against other diseases, many others, I think. But there can be no final victory against diseases of the body unless diseases of the soul are also overcome. They feed upon each other, diseases of the body, diseases of the soul. In days to come, there will be epidemics of greed, hate, ignorance. We must fight them in life as we fought syphilis in the laboratory. Fight. Fight. You must never stop fighting.” (*)

Virna Teixeira

(*) Peter E. Dans. Doctors in the Movies: Boil the Water and Just Say Aah (Medi-press: Bloomington, Illinois, 2000).

AR

We do not know how to renounce anything, Freud has once observed. This type of relation to the object indicates an inability to mourn.

The addict is a non-renouncer par excellence (one think of the way Goethe mastered renunciation) ; yet, however haunted or hounded, the addict nonetheless establishes a partial separation from an invading presence.

***

Discipline and addiction. Practice your scales. Repetitions. Bach on coffee. Berlioz on hallucinogen (but also on coffee and cigars): The Witches’ Sabbath, a concoction of Faust and the opium dreams Berlioz read in De Quincey’s Confessions of an English Opium Eater. Mussorgky’s wine, Stravinsky’s cigarettes.

***

Crisis in immanence. Drugs, it turn out, are not so much about seeking an exterior, transcendental dimension – a fourth or fifth dimension – rather, they explore fractal interiorities. This was already hinted at by Burrough’s algebra of need.

Avital Ronell

(Crack War. Literature Addiction Mania. University of Illinois Press, 2004)

PSYCHIATRY AND WAR

This is the last week to see rare historical photographs taken at Maudsley Hospital in Southwark. The Mausdley hospital was designed in 1907 by the psychiatrist Henry Maudsley and the neuropathologist Frederick Mott. Before its official opening in 1923, the hospital was requested by the Army, and started receiving soldiers in 1916 for the treatment of shell-shock during World War One.

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Copyright Museum of the Mind

The pioneering treatment of this soldiers did not involved the traditional method used at the time for treating people with mental disorders, like sedating and/or locking patients. Instead, the treatment of these soldiers was more humanized and focused on relaxation, hot baths,  good nutrition, and physical exercises. In the hospital there was also a carpenter’s workshop and a vegetable patch. The Maudsley treated 12,400 cases of shell-shock in three years, and became famous for its innovative treatment and research of psychiatric injuries.

MAUDSLEY 1

Copyright Museum of the Mind

Where: The Long Gallery, Mausdley Hospital, Denmark Hill. Till 24th September (9am – 5pm)

UNDRESS YOUR MIND

Alfred Kinsey interviewing a woman, photograph by William Dellenback (c) The Kinsey Institute

 

(Alfred Kinsey interviewing a woman)

The Institute of Sexology is an unique exhibition in the UK of the “most discussed of the private acts”. It is a tribute to Magnus Hirschfeid’s Institut für Sexualwissenschaft in Berlim. Hirschfield, a Jewish doctor and sexologist, founded his Institute in 1919, a place that provided a huge number of archives and library on sexuality to the public and provided educational services and medical consultations, and also housed the Museum of Sex. Magnus Hirschfield, a Jewish doctor and sexologist, was an outspoken advocate for sexual minorities, a feminist, and is considered the father of transgenderism. The Institute was destroyed by the Nazis in 1933.

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The exhibition features over 200 objects spanning art, rare archival material, erotica, film and photography, and focus on a scientific comprehension of sexuality, from Freud and Marie Stopes to Alfred Kinsey’s questionnaires, William Masters and Virginia Johnson, analyzing how information can changes attitudes towards sex.

Please note that ‘The Institute of Sexology’ includes exhibits and live events of a sexual nature.

Wellcome Collection. 183 Euston Road, London, NW1 2BE. Until 20th September 2015.